Curators: Javier F. Contreras, Youri Kravtchenko / Exhibition: fala atelier [Dimanche Showroom]
If kitchens are small buildings, extraction hoods are canopies, cornices or balconies. They are finishing elements of the domestic composition. They assume certain shapes, project brisk colours, and breathe heavily when turned on. They are also covers – thin jackets to be worn proudly, or hats that complement an elaborate three-piece suit.
The exhibition at Dimanche accommodates six of these characters. One is straightforward yet delicate. Another is cornered into an awkward position. There is a non-sensical staircase type of hood, a small ziggurat and a half-pyramid. One is mildly curvaceous and courageously flamboyant, and another has the appearance of a spaceship floating above a fish bouillon. One is the nosiest of them all.
In all seriousness, they are folded sheets of metal a few millimetres thick, polished and lacquered, and then securely attached to the wall. They are delicate, yet sturdy envelopes that hide and protect the apparatus providing the mechanical service of extracting air. As both a necessity and an artifice, they bear some resemblance to hearths. After all, the hood is a prosaic and central part of a house.
More importantly, kitchen hoods are somehow devoid of pre-determined imagery. As opposed to the stove or the oven, for instance, they are elements of the kitchen the expression of which can be reclaimed by their users. Hoods are technicalities proudly taking part in the everyday, but the potential beauty of their form is virtually unknown. They are technicalities that, if taken seriously, can be turned into humble objects of art.
Text: fala atelier / © Dylan Perrenoud
PROJECTS /// HEAD – Genève. Train Zug Treno Tren. Inaugural Exhibition at Mudac [Lausanne: Mudac, 2022] /// Javier F. Contreras, Ignacio Hornillos. Villa Cuadrada [Madrid, 2022] /// HEAD – Genève & India Mahdavi. Herbarium of Interiors: A Milk Bar [Milan: Alcova, 2021] /// HEAD – Genève & HEPIA. Archipelago: Architectures for the Multiverse [Geneva, 2021] /// Javier F. Contreras, Youri Kravtchenko, fala atelier. Nosy Hoods [Geneva: Dimanche Showroom, 2021] /// Javier F. Contreras, Ignacio Hornillos. Prismarium [Logroño: Concentrico Architecture and Design Festival, 2020] /// HEAD – Genève & USM Foundation. Space Duality [Red Dot Winner 2020, Frame Awards 2020] /// Javier F. Contreras, Youri Kravtchenko. Scènes de Nuit. Nocturnal Exhibition at f’ar Lausanne [Lausanne: forum d’architectures, 2019] /// BOOKS /// Javier F. Contreras. Manifiesto de Interiores [Barcelona: Puente Editores, 2022] /// Javier F. Contreras, Youri Kravtchenko, and Manon Portera, eds. Scènes de Nuit. Night & Architecture [Geneva: HEAD – Publishing / Madrid: Ediciones Asimétricas, 2021] /// Javier F. Contreras. Manifesto of Interiors: Thinking in the Expanded Media [Geneva: HEAD – Publishing, 2021] /// Javier F. Contreras. The Miralles Projection: Thinking and Representation in the Architecture of Enric Miralles [New York: Applied Research + Design Publishing, 2020] /// Javier F. Contreras, Youri Kravtchenko, Arjen Oosterman, and Lilet Breddels, eds. Herbarium of Interiors. HEAD – Genève & India Mahdavi [Amsterdam: Archis-Volume, 2020] /// Javier F. Contreras. Fragmentos de Planta y Espacio. Sistema Diédrico en Enric Miralles [Madrid: Ediciones Asimétricas, 2018] /// ESSAYS /// Javier F. Contreras. “El Croquis Night: Excursus into Nocturnal Obliteration in Architectural Media” Interiority. Vol 4 No. 2 (2021): 181-190. /// Javier F. Contreras. “Tactile and Reflective Conditions in the Architecture of Marie-José Van Hee” In Marie-José Van Hee Architecten: More Home, More Garden, edited by Hilde Peleman, and Katrien Vandermarliere [Ghent: Copyright Slow Publishing, 2019], 217-229. /// Javier F. Contreras. “Différences de Perception: Le Chablais Lémanique” In Prises de vue. Un paradigme pour l’observation du paysage, edited by Michael Jakob [Geneva: Métis Presses, 2019], 129-146. /// Javier F. Contreras. “Tactile and Reflective Conditions: Marie-José Van Hee’s House Declercq” BITACORA Arquitectura no. 39 (2018): 134-139. /// Javier F. Contreras. “Dibujo y Repetición: Presencia Manual de Enric Miralles en la Planta del Ayuntamiento de Utrecht” RA Revista de Arquitectura no. 19 (2017): 97-104. /// Javier F. Contreras, and José María Sánchez García. “Concentration as Program, Emptiness as Flexibility: an Idea of Space” In Passion for the Built Environment (Perspectives in Metropolitan Research no. 2), edited by Gesa Ziemer [Berlin: Jovis Verlag, 2016], 98-106. /// Javier F. Contreras. “La Tectónica de lo Aéreo: Enric Miralles y la Vicisitud de lo Climático” ZARCH: Journal of Interdisciplinary Studies in Architecture and Urbanism no. 4 (2015): 22-35. /// Javier F. Contreras. “Plan Libre vs. Plan Miralles” In Massilia 2011. Annuaire d’études Corbuséennes, edited by Josep Quetglas [Paris-Marseille: Fondation Le Corbusier, Editions Imbernon, 2011], 82-91. /// Javier F. Contreras. “Océanos de Arena, Ciudades del Petróleo” Revista Arquitectura no. 361 (Autumn 2010): 88-91. /// Javier F. Contreras. “El Organicismo Expandido” CIRCO no. 153. Madrid: M.R.T. Coop, 2009. /// Javier F. Contreras, Gabriel N. Duarte, and Roberto Gª Caballero. “It’s Not Just Grass! Subverting Legal Planning and the Reinvention of the Dutch Process-Landscape Agenda 2000 & the C2751” In 306090 vol.8, Autonomous Urbanism, edited by Alex Duval, and Kjersti Monson [New York: Princeton Architectural Press, 2005], 21-30. /// INTERVIEWS /// “Depuis Rue Las Cases. A Conversation with India Mahdavi” Interview by Javier F. Contreras. In India Mahdavi, edited by Chronicle Chroma [Los Angeles: Chronicle Books, 2021] /// Javier F. Contreras, and Graeme Brooker. “The Future is Interior and Interiorised” Interview by Marco Costantini, and Claire Favre Maxwell. RADDAR no. 2 (2020), 192-213. /// Irma Boom. “Within Pages, Beyond Books” Interview by Javier F. Contreras, and Lilet Breddels. In Herbarium of Interiors, edited by J. F. Contreras, Y. Kravtchenko, A. Oosterman, L. Breddels [Amsterdam: Archis-Volume, 2020], 42-47. /// Javier F. Contreras. “Architecture d’intérieur. Espace et Communication” Interview by Nic Ulmi. In IN MY HEAD, edited by Julie E. Julliard [Geneva: HEAD – Genève, 2020], 240-243. /// Jean-Pierre Greff, and Javier F. Contreras. “Dialogue sur l’enseignement de l’architecture d’intérieur” Interview by Roberto Zancan. In L’architecture par l’intérieur, edited by Roberto Zancan [Geneva: MetisPresses, 2018], 185-205.
Javier Fernández Contreras (Dipl. ETSAM 2006, PhD 2013) is a Geneva-based architect, design theorist, and the Dean of the Department of Space Design at HEAD – Genève. His work explores the relationship between architecture, representation and media, with a specific focus on the role of interiors in the construction of contemporaneity. Contreras is the director of several BA, MA and research programs, including MAIA (Master of Arts in Interior Architecture) and Scènes de Nuit, a research platform investigating the entanglements between night and architecture. He is the author of the books Fragmentos de Planta y Espacio (2018), The Miralles Projection: Thinking and Representation in the Architecture of Enric Miralles (2020), Manifesto of Interiors: Thinking in the Expanded Media (2021), and co-editor of Scènes de Nuit: Night & Architecture (2021). His critical essays have been published in numerous books and specialised journals, including Marie-José Van Hee Architecten, Massilia Annuaire des Études Corbuséennes, Drawing Matter, India Mahdavi, RA Revista de Arquitectura, RADDAR, and Plan Libre. Contreras is a regular contributor to professional debates, international juries and conferences. His work has earned him prizes in various international competitions, including the Concentrico Design Festival 2020, f’ar Lausanne 2019, and several editions of Europan. His recent projects and distinctions with HEAD – Genève include Train Zug Treno Tren, the opening exhibition at MUDAC Lausanne in 2022; the invitation to the 2021 Seoul Architecture Biennale for the Circa Diem project (in collaboration with the EPFL); the Brands and Communication Red Dot Award 2020 and the Innovation Frame Award 2020 for the Space Duality project; as well as a Design Prize Switzerland 2019 nomination for the #Looslab project.
This website is an index of selected projects and writings.